1.
How does Byrne describe the commonly accepted
story of artistic creation, and how does his own theory differ from it?
·
David Byrne states that people create artistic
work to things that already exist, without even knowing. He believes anyone can
create artist achievements, birth has no affiliation.
2.
What are the sonic differences between African
folk music and medieval European music?
·
Handmade instruments were used in African folk
music, while Europeans instruments higher in quality. Also African folk music
had more rhythm, while Europeans music was more harmonic.
3.
How does Byrne describe the difference between
the original audiences of classical music and opera versus what we tend to
think of as the audience for this type of music today?
·
Music today is more about paying to see an
artist, while for classical music people would “come together” to appreciate
the sound and vibe.
4.
What accommodation did jazz musicians make to
their playing to make sure dancers were happy? Can you think of other styles of
music that have addressed this music in different ways?
·
Jazz musicians performed in many places such as;
whorehouses, bars, and funerals. We feel rappers/lyricist tend to fit this
description, because they are willing to perform at open mics.
5.
How did the behavior of classical audiences
change around 1900? To what does Alex Ross contribute this change?
·
People are no longer able to dance or express
themselves, when hearing music. Alex Ross felt people should stay quiet at
performances.
6.
What effect did the change discussed in question
4 have on the type of music that composers could write?
·
Jazz music open doors for artists to be more
interactive with their audiences.
7.
How does Byrne describe the effects of the
introduction of recorded music and radio on the sense of place?
·
Recorded music helps people all over of all ages
to be able to listen to music of more variety.
8.
How did crooning exploit the new technology of
microphones?
·
Microphones were used to help the performer to
be heard, enabling the audience to clearly hear the lyrics.
9.
What are the differences in audiences,
acoustics, and styles for disco and arena rock?
·
Disco is more interactive with their audiences;
rock is to be heard at loud volumes.
10. How
is contemporary hip hop distinct from the beginnings of hip hop, according to
Byrne?
·
Contemporary hip-hop was all about lyrics, while
today’s hip-hop is more about the beat and bass.
11. What
are the particular acoustic qualities of MP3 music heard through headphones?
Can you think of any examples of the type of music Byrne describes but doesn't
name?
·
Background noises can be heard more accurately
through headphones. J-pop is a good example Byrne does not mention.
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